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[personal profile] cjwatson

[livejournal.com profile] ghoti, Benedict, and I have just got back from Spode Music Week, our first in its new home. We had a wonderful time although I at least am pretty tired, and [livejournal.com profile] ghoti is sleeping so I assume she is too ...

The course music was, on the choral side:

  • Britten: Hymn to St. Cecilia
  • Brahms: Fest- und Gedenksprüche
  • Tallis: Puer natus est nobis (Mass setting)
  • Davy: Salve Regina (sung at the end of Compline)

... plus a good deal of liturgical music. In orchestra:

  • Rimsky-Korsakov: Scheherezade (third movement)
  • Rimsky-Korsakov: Capriccio espagnol (fifth movement)
  • Tchaikovsky: Waltz from The Sleeping Beauty

The string orchestra had rather less preparation time :-), and played:

  • Holst: St. Paul's Suite (Dargason)
  • Grieg: Holberg Suite (Sarabande and Gavotte)
  • Handel: a movement from a Concerto Grosso, though I've forgotten which one

We did a scratch performance of Show Boat, and I sang Schubert's An die Musik (accompanied by Charles) in the last night concert, which seemed to go reasonably well.

As usual, there was lots of impromptu/sight-read music-making, the highlights for me being a five-voice arrangement of the Londonderry Air, some rather good six-cellos work (which unfortunately I couldn't join because I picked up a stinking cold a couple of days from the end and had to retire to bed), and I'm told GSJ's nine-part recorder arrangement of Bohemian Rhapsody was amazing.

I doubt I'll have much of a voice for the next few days, but it was definitely worth it!

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